I fell in love with the super 16 footage, choosing to shoot Kodak 250T during early morning and late evening to create a cool, blue color cast baked into the footage. We also shot parts on super 8mm and digital, so coloring the film was a great challenge. The flexibility and color that you can pull from film was exciting, as was matching the digital footage to the film with grain, color, and the little things like halation and dust.